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The case that saved Indian democracy

A March 2013 picture of Kesavananda Bharati. / The Hindu
A March 2013 picture of Kesavananda Bharati. / The Hindu

The judgment in Kesavananda Bharati v State of Kerala, whose 40th anniversary falls today, was crucial in upholding the supremacy of the Constitution and preventing authoritarian rule by a single party

Exactly forty years ago, on April 24, 1973, Chief Justice Sikri and 12 judges of the Supreme Court assembled to deliver the most important judgment in its history. The case of Kesavananda Bharati v State of Kerala had been heard for 68 days, the arguments commencing on October 31, 1972, and ending on March 23, 1973. The hard work and scholarship that had gone into the preparation of this case was breathtaking. Literally hundreds of cases had been cited and the then Attorney-General had made a comparative chart analysing the provisions of the Constitutions of 71 different countries!

CORE QUESTION

All this effort was to answer just one main question: was the power of Parliament to amend the Constitution unlimited? In other words, could Parliament alter, amend, abrogate any part of the Constitution even to the extent of taking away all fundamental rights?

Article 368, on a plain reading, did not contain any limitation on the power of Parliament to amend any part of the Constitution. There was nothing that prevented Parliament from taking away a citizen’s right to freedom of speech or his religious freedom. But the repeated amendments made to the Constitution raised a doubt: was there any inherent or implied limitation on the amending power of Parliament?

The 703-page judgment revealed a sharply divided court and, by a wafer-thin majority of 7:6, it was held that Parliament could amend any part of the Constitution so long as it did not alter or amend “the basic structure or essential features of the Constitution.” This was the inherent and implied limitation on the amending power of Parliament. This basic structure doctrine, as future events showed, saved Indian democracy and Kesavananda Bharati will always occupy a hallowed place in our constitutional history.

CLEAR PATH: The hard work and scholarship that had gone into the preparation of this case was to answer just one main question – whether the power of Parliament to amend the Constitution was unlimited. / The Hindu
CLEAR PATH: The hard work and scholarship that had gone into the preparation of this case was to answer just one main question – whether the power of Parliament to amend the Constitution was unlimited. / The Hindu

SUPREME COURT V INDIRA GANDHI

It is supremely ironical that the basic structure theory was first introduced by Justice Mudholkar eight years earlier by referring to a 1963 decision of the Supreme Court of Pakistan. Chief Justice Cornelius — yes, Pakistan had a Christian Chief Justice and, later, a Hindu justice as well — had held that the President of Pakistan could not alter the “fundamental features” of their Constitution.

The Kesavananda Bharati case was the culmination of a serious conflict between the judiciary and the government, then headed by Mrs Indira Gandhi. In 1967, the Supreme Court took an extreme view, in the Golak Nath case, that Parliament could not amend or alter any fundamental right. Two years later, Indira Gandhi nationalised 14 major banks and the paltry compensation was made payable in bonds that matured after 10 years! This was struck down by the Supreme Court, although it upheld the right of Parliament to nationalise banks and other industries. A year later, in 1970, Mrs Gandhi abolished the Privy Purses. This was a constitutional betrayal of the solemn assurance given by Sardar Patel to all the erstwhile rulers. This was also struck down by the Supreme Court. Ironically, the abolition of the Privy Purses was challenged by the late Madhavrao Scindia, who later joined the Congress Party.

Smarting under three successive adverse rulings, which had all been argued by N.A. Palkhivala, Indira Gandhi was determined to cut the Supreme Court and the High Courts to size and she introduced a series of constitutional amendments that nullified the Golak Nath, Bank Nationalisation and Privy Purses judgments. In a nutshell, these amendments gave Parliament uncontrolled power to alter or even abolish any fundamental right.

These drastic amendments were challenged by Kesavananda Bharati, the head of a math in Kerala, and several coal, sugar and running companies. On the other side, was not only the Union of India but almost all the States which had also intervened. This case had serious political overtones with several heated exchanges between N.A. Palkhivala for the petitioners and H.M. Seervai and Niren De, who appeared for the State of Kerala and the Union of India respectively.

The infamous Emergency was declared in 1975 and, by then, eight new judges had been appointed to the Supreme Court. A shocking attempt was made by Chief Justice Ray to review the Kesavananda Bharati decision by constituting another Bench of 13 judges. In what is regarded as the finest advocacy that was heard in the Supreme Court, Palkhivala made an impassioned plea for not disturbing the earlier view. In a major embarrassment to Ray, it was revealed that no one had filed a review petition. How was this Bench then constituted? The other judges strongly opposed this impropriety and the 13-judge Bench was dissolved after two days of arguments. The tragic review was over but it did irreversible damage to the reputation of Chief Justice A.N. Ray.

CLEAR PATH: The hard work and scholarship that had gone into the preparation of this case was to answer just one main question – whether the power of Parliament to amend the Constitution was unlimited. / The Hindu
CLEAR PATH: The hard work and scholarship that had gone into the preparation of this case was to answer just one main question – whether the power of Parliament to amend the Constitution was unlimited. / The Hindu

CONSTITUTIONAL RIGHTS SAVED

If the majority of the Supreme Court had held (as six judges indeed did) that Parliament could alter any part of the Constitution, India would most certainly have degenerated into a totalitarian State or had one-party rule. At any rate, the Constitution would have lost its supremacy. Even Seervai later admitted that the basic structure theory preserved Indian democracy. One has to only examine the amendments that were made during the Emergency. The 39th Amendment prohibited any challenge to the election of the President, Vice-President, Speaker and Prime Minister, irrespective of the electoral malpractice. This was a clear attempt to nullify the adverse Allahabad High Court ruling against Indira Gandhi. The 41st Amendment prohibited any case, civil or criminal, being filed against the President, Vice-President, Prime Minister or the Governors, not only during their term of office but forever. Thus, if a person was a governor for just one day, he acquired immunity from any legal proceedings for life. If Parliament were indeed supreme, these shocking amendments would have become part of the Constitution.

Thanks to Kesavananda Bharati, Palkhivala and the seven judges who were in the majority, India continues to be the world’s largest democracy. The souls of Nehru, Patel, Ambedkar and all the founding fathers of our Constitution can really rest in peace.

(Arvind P. Datar is a senior advocate of the Madras High Court.)y 

source: http://www.thehindu.com / The Hindu / Home> Opinion> Comment / by Arvind P. Datar / April 24th, 2013

Making his mark

Pradeep Nair on his tryst with filmdom

Director Pradeep Nair
Director Pradeep Nair

Pradeep Nair made a splash at the State and National Film Awards in 2005 almost out of nowhere. At the National Awards, he won a special jury award for directing Oridam, his debut feature film. Oridam did even better at the State Awards. It won four awards, including one for actor Geethu Mohandas for her portrayal of a sex worker. The film had raised expectations about its self-taught director. However, Pradeep hasn’t been able to capitalise on it and hasn’t had a single release in theatres since then.

He is, nonetheless, hopeful about the new film he is starting later this month.Udal features Vijay Babu and Urmila Mahanta, who had acted in Ketan Mehta’sManjhi, in lead roles. “I am sure that this film will be noticed, just like Oridamwas. It is an intense love story, told from the point of view of a young working class woman. Her life changes when a writer enters her life,” says Pradeep.

This is not his first feature after Oridam, though. He directed Cherukkanum Pennum, starring Sreejith Vijay and Deepthi Nambiar in the lead. “It is about the relationships of young people; how quickly they get into one and then get out of it even faster,” says the Kottayam-based director.

Nokku Vidya performance in the documentary Kuttanad: Oru Apoorva Marutha Thina
Nokku Vidya performance in the documentary Kuttanad: Oru Apoorva Marutha Thina

Actually, it is after making his mark as a director of documentaries that Pradeep turned to feature films. His latest documentary, Kuttanad: Oru Apoorva Marutha Thina, recently won the state award, for the best film on science and environment.

“The brief from the Public Relations Department of the Government of Kerala was to make a 25-minute film about the heritage of Kuttanad,” says Pradeep. Kuttanad… runs into 91 minutes.

“When I started researching for the film, I delved into the history, culture, farming, and many other aspects of Kuttanad. I found it all fascinating and I felt I needed much more time to tell the story,” he explains.

Looking back at his life as a youngster besotted with film, he recalls that he just missed the mark to qualify for the Film and Television Institute of India, Pune. Then Pradeep decided to make Oridam by investing his own money. “There was no producer to begin with, but later on, a Malayali working in the United States, Jesinlal James, came on board. I was able to rope in Geethu for the lead role, and that helped to sell the film. It was made on a shoe-string budget,” he says.

He believes even now it is possible to do good work in Malayalam outside the mainstream. “The taste of the Malayali audience has changed. There are people in Kerala who view cinema seriously. Our film festivals, big and small, are ample proof of that,” he says.

source:  http://www.thehindu.com / The Hindu / Home> Features> Friday Review / by P.K. Ajith Kumar / Thiruvananthapuram – August 11th, 2016

Life of K R Gowri to be documented

Thiruvananthapuram:

The life and struggles of veteran Communist leader K R Gowri will soon be captured in a 90-minute documentary.

The documentary, titled ‘Gowri, the iron lady’, directed by Rinish Thiruvallor, has been conceived as a tribute for her contribution in many ground-breaking and distinctive reforms that changed the social fabric of Kerala.

The documentary, produced by Benny Emmatty Films, will also include testimonies from veteran leaders like Pinarayi Vijayan.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Thiruvananthapuram / TNN / August 14th, 2016

Portuguese epic on Gama gets Malayalam version

VascodaGamaKERALA12aug2016

Kochi :

Keralites are familiar with the arrival of Portuguese sailor Vasco Da Gama in India in the 15th century and history of trade relations between both countries. But so far they missed out on the Malayalam version of an epic Portuguese poem, Os Lusiadas, depicting the hardships and travails faced by Gama and his crew during their voyage to India.

Keralites can now access the translation of the epic poem in their mother tongue thanks to C J Davees, a lecturer in Thrissur. “The Malayalam version, Epic of Lusiadas’, launched in Kochi few days ago, will also shed light on African and Indian life in the 15th century. During the voyage, Gama had touched Africa and had taken a person from Malindi as his guide.

“The poem explains all these minute details,” said Jerald D’souza, secretary of Indo-Portuguese Cultural Centre, Cochin. The epic written by Luis Vaz de Cameons in Portuguese narrates the difficulties faced by Gama and his team during the 10 month voyage.

The poem, written in Homeric style has 10 chapters. The seventh and eighth chapters speaks about his arrival in Kozhikode. The poem was first published in 1572.

“Camoens had visited India after the arrival of Gama in Kappad. He interacted with people and sought help of Alvaro Velho, who wrote a diary during his voyage with Gama to India. In the poem Gama has been presented as a hero. We can witness the influence of Greek mythology in the poem, which is like Odyssey and Iliad of Homer,” Gerald said.

The original poem was written in 8,869 lines in Ottava Rima that has rhyming stanzas of 10 syllables in each line.

“The rhyme scheme used in the poem was ABABABCC,” Davees said.

“I translated the poem in prose form as I knew there may not be readers for the poem. I took five years to translate the poem word by word. The translated book is around 400 pages long,” he said.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Kochi / T C Sreemol  / TNN / August 12th, 2016

Kerala Agriculture Minister announces farm sector awards

K. Krishnanunni won the Karshakothama award for 2015 for his comprehensive farming practices.

The Malappuram Kolathu Padam Kole Committee has won the Mitra Niketan Padmasri K. Viswanathan Memorial Nelkathir award for group farming and K. Krishnanunni the Karshakothama award for 2015.

Minister for Agriculture V.S. Sunil Kumar, who announced the awards here on Wednesday, said the kole committee was selected for its notable experiments in collective farming on 250 hectares.

Mr. Krishnanunni was selected for his comprehensive farming practices. The young farmer award for women is being shared Lekshmi Rajan of Wayanad and Manju Mathew of Valiya Thovala in Idukki. The young farmer award for men goes to V.Mahesh of Pinarayi in Kannur.

The other award winners are Kera Kesari -A. Nagaraj (Palakkad); Haritha Mithra – M.M.Prijith Kumar (Palakkad); Udyana Shreshta – Mini Joy (Palakkad); Karshaka Jyothi – Ponnan Thekkuvatta (Palakkad); Karshaka Thilakam – Shyla Basheer (Thiruvananthapuram); Shrama Sakthi – S.S. Latha and K. Anil (Palakkad); Krishi Vigyan – K.P. Sudhir, Associate Professor and project coordinator, Centre of Excellence in Post Harvest Technology, Tavanur; Kshoni Samrakshana (soil conservation) – P.M. Mathew (Palakkad); Kshoni Paripalak – V.K.Chandy (Idukki); Kshoni Mithra – E.K. Nayanar (Kannur); Haritha Keerthi – Coconut Nursery (Thiruvananthapuram), first prize; State Seed Farm, Panancherry, second prize; and Orange and Vegetable Farm, Nelliampathy, third prize.

High-tech farmer award – Unni Anil (Palakkad); award for best commercial nursery – K. Jose Cheerakuzhy of Agro Developers Private Limited (Palakkad); Karshaka Tilakam award for girl student – M.S.Harsha (Wayanad), male student – P.Akshay (Palakkad) and Anto Philip (Kadakarapally); Haritha Keerthi award for best farm officer – V.S. Suvarna of Coconut Nursery, Thiruvananthapuram; Karshaka Bharathy award for farm journalist – K.S.Udaya Kumar, agriculture engineer, KLD Board, Thiruvananthapuram; Haritha Mudra for print media Krishi Ankanam published by Vegetable and Fruit Promotion Council of Keralam, Kochi; visual media – ‘Nattupacha’ aired by Manorama News and Radio Mac Fest, Community FM Radio, Tiruvalla.

The best bio farmer award – Augusthy (Kasaragod) and Karshaka Mithra award for individuals propagating information on agriculture – Rajani Jayadev (Kayamkulam).

Chief Minister Pinarayi Vijayan will present the awards at a function in Palakkad on August 16 to mark the State Farmers Day celebrations.

source: http://www.thehindu.com / The Hindu / Home> National> Kerala  / by Special Correspondent / Thiruvananthapuram – August 10th, 2016

Kerala innovator develops ‘Prime Card’ to replace multiple ATM cards

Thiruvananthapuram  :

No more the hassles of carrying multiple ATM cards, an innovator in Kerala has developed a ‘Prime Card’ that helps customers merge savings accounts of different banks in a single card. He affirms that it can replace the US-based VISA and Master card available in India and emerge an alternative to existing Indian domestic card ‘RuPay’ with high-end security features. He has applied for an Indian patent for his innovation.

The 43-year-old innovator K Ummer Thalhath, a native of Malappuram opted out of his final year graduation in science at Farook College in Kozhikode. He went on to pursue an electronics course for three years and left that on an innovation spree.

Thalhath claims that the card has high-end security features and hence none would be able to duplicate or hack it. It will help the bank account holder draw money from any ATM. If the Prime Card is lost or stolen, the one who gets hold of it may not know which bank accounts are merged in the card and it has two pin numbers which cannot be easily cracked.

He is keen to develop it further with the support of industries here, who are willing to develop a domestic high-end electronic payment facility.

VISA and Mastercard are US-based global payments technology companies, while RuPay is an Indian domestic card scheme. He believes that his idea of ‘Prime Card’ payment technology if realized in association with Indian banks or domestic card company, will help India take a lead in floating a high-end secure card. He has held initial discussion with major banks including State Bank of India (SBI), Industrial Development Bank of India (IDBI) and Federal Bank.

The account holder can merge existing accounts or new account to the Prime Card with different personal identification numbers (pin) for different bank accounts. On high-end security feature of the card, he said Prime Card has two pin numbers, the customer should provide one pin when the card is inserted in ATM machine and another when selecting the bank for transaction. Other security modes are Matching Number System and Number looping system. Hence the security is much higher than ordinary cards, he said.

Responding to that, Federal Bank – Digital Banking assistant general manager Sunny KP told TOI that “the idea is good as it is handled by a single payment application software, yet there are practical difficulties in its implementation. It requires infrastructure, intermediary standing between banks to merge accounts and permit from Reserve Bank of India (RBI).”

National Payments Corporation of India (NPCI) chief manager Dheeraj Bharadwaj said over 50 crore cards are already in the market and to replace that with one card for various bank accounts would be tedious as it requires the consent of many banks. It was NCPI that launched RuPay to fulfil RBI’s desire to have a domestic and multilateral payment system in the country.

Centre for Science and Technology Entrepreneurship Development (C-STED) director Ajith Prabhu assured all possible support to take it forward in terms of exploring the commercial possibilities.
While, the innovator swears by his innovation that it can end the headache of banks over issues involving current ATM transactions. However, an electronic payment company or a financial institution with RBI permit should come forward to take it up, he said.

source: http://www.timesofindia.indiatimes.com / The Times of  India / News Home> City> Thirvananthapuram / by Laxmi Ajai Prasanna / TNN / August 08th, 2016

 

‘Sanchari’ online community – Chasing history

HutKERALA08aug2016

Tiruvananthapuram :

With over 2,00,000 members, Sanchari is an online community that encourages people to share travelogues, provide tips and find enjoyable-yet-pocket friendly touring destinations.

BoatTourKERALA08aug2016

This weekend, the community’s Kochi faction is organising a boat tour centred around the 3,000-year-old port town of Muziris, which, prior to being destroyed in the 14th century by a flood, was India’s lifeline to over 30 countries. “This day-long tour will appeal to both history buffs and tourists. We’ve curated a list of 10 iconic places to visit (think Paravur Synagogue and Gothuruth), after consulting with popular blogger, Manoj Ravindran aka Niraksharan, who authored India’s first augmented reality travelogue (in Malayalam) titled Muzirisiloode,” explains Unni PG, one of the organisers.

RavindranKERALA08aug2016

Journey back

Hop on board to explore the relics of a bygone era—some still in ruins, while others are in the process of being restored by the Kerala Government. Spot the remains of the strategically significant 493-year-old Kottapuram Fort, where the Dutch, British, Portuguese and even Tipu Sultan waged war. Or walk through the ancient secular village of Kottayil Kovilakam where a Syrian church, mosque, temple and Jewish synagogue existed in close proximity. “It’s not just monuments and museums, we will also visit the home-turned-cultural centre of famed social reformer Sahodaran Ayyappan,” concludes Ravindran, who’s currently working on the English translation of his Muziris travelogue. I700 onwards. Sunday, from Paravur Synagogue, at 9 am.

Details: 9633801068.

source:  http://www.newindianexpress.com / The New Indian Express / Home> Cities> Thiruvananthapuram / by Anoop Menon / August 05th, 2016

Scoliosis surgery performed on 16-yr-old girl

Kozhikode :

As an initiative to sensitise people on available treatment for bone and joint disorders, city based Aster Malabar Institute of Medical Sciences (MIMS) has performed a Scoliosis surgery on a 16-year-old girl.

The surgery was conducted yesterday as an observance of “Bone and Joint Day” for the girl, who had come from Aluva, to  Aster MIMS with deformity in alignment of the spine giving rise to a side-to-side curvature called ‘scoliosis’, a release from MIMS said today.

As the degree of curvature was large, it was decided to treat it surgically and a team of surgeons under Dr Suresh S Pillai , Senior Consultant Orthopaedic and Spine Surgeon conducted the surgery, the release said. Considering that the disability would affect her future, if not treated, while treatment would enable the girl live a normal life, it was decided to conduct the surgery free of cost as the family could not afford it.

Dr Pillai  said the purpose of observing the Day is not only to create awareness among bone and joint problems.

The surgery was succesful and the girl was expected to be discharge after five days, he said.

On a request from Indian Orthopaedic Association  in 2012, the Union Health Ministry decided to observe ‘Bone and Joint Day’ on August 4 every year to focus on treatment related issues concerning bones and joints and create awareness among people on the growing problems related to bones and joints, the release added.

KV APR APR

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Kozhikode / PTI / August 05th, 2016

A buried past, a curious future

DEAD MAN'S TALES: The Dutch Cemetery serves as a reason for the the publication of the Hortus Malabaricus. PHOTOS: THULASI KAKKAT
DEAD MAN’S TALES: The Dutch Cemetery serves as a reason for the the publication of the Hortus Malabaricus. PHOTOS: THULASI KAKKAT

The Dutch Cemetery in Fort Kochi is as an important legacy of the historical vicissitudes of our colonial past

The ancient Dutch Cemetery in Fort Kochi, the oldest European cemetery in India, is a tell-tale reminder of Dutch lives lost in their quest for trade and expansion. Every tombstone has a story of a historic past, of pride, of power.

The Dutch, through the Dutch East India Company (Vereenigde Oost-Indische Compagnie or the VOC) stepped on the shores of this port city in the early 1660s. In 1663 they managed to capture the fort and port from the Portuguese who had been there from 1505 onwards. In 1795, the English captured the fort from the Dutch.

The Portuguese had their hospital and cemetery on the west of the Parade Ground, writes K.L. Bernard in his History of Fort Cochin. A Catholic cemetery was taboo to the Dutch and they decided to erect a separate one for them, which is located between the Lighthouse and Bank House.

A small, square plot enclosed with high walls within which are tombs – ‘flat, dome and pyramid shaped – occasionally diversified by broken pillars, urns and sarcophagi, all more of less blackened by exposure, the grass rank and wild, here and there lost sight of among bushes of a beautiful orange flowered weed that infests these parts,’ is how Charles Allen Lawson describes the cemetery in his British and Native Cochin (1861).

DutchCemetry02KERALA05aug2016

Nothing seems to have changed. The date 1724 is engraved on an entrance pillar, the gates seem to be locked forever, the tombs are overrun by wild growth, and the thick walls plead for a whitewash.

The 104 tombs, records say, are constructed in typical Dutch architectural style with inscriptions in ancient Dutch script.

“Sadly, this cemetery is not a monument under the Archaeological Survey of India (ASI). It is still managed by the Church of South India (CSI), which also manages the historic St. Francis Church near by. The cemetery is one of the few surviving Dutch structures, a footprint of their presence in Fort Kochi. Once in a while, when grants are doled out some cleaning up is done. It is then left to the mercy of the elements,” says K.J. Sohan, former Mayor of Kochi and member, INTACH.

In the cemetery lay buried many Dutch governors, commanders, officials, gents and ladies who died in Cochin.

In fact, the British preserved this as a monument for the Dutch. According to T. W. Venn, who published the book St. Francis Church, Cochin, the last person who was laid to rest in this cemetery was Captain Joseph Ethelbert Winckler. His burial took place in 1913.

“The cemetery is the graveyard of war heroes and a memorial in tears for the brave hearts that came here in their sailing boats. Many are the soldiers and officers that lay buried here,” says M.A. Aboobacker, cultural activist.

When the British took over Fort Cochin, arrangements were made twice for the Dutch to leave Cochin, but they refused, preferring to stay on under British rule. “Their gravestones in the cemetery stand testimony to this. Stories have been added to history through ages; for example the Cochin Raja’s palace in Mattancherry is called ‘Dutch Palace’ when it has nothing to do with the Dutch, in terms of architecture or occupation, except that the VOC gave the Raja some fund for its renovation,” informs Dr. Anjana Singh, whose research on Fort Cochin’s Dutch connection is the premise of her book Fort Cochin in India (1750-1830): The Social Condition of a Dutch Community in an Indian Milieu.

But for Bernard this ‘chivalry yard’ was always uncared for and a safe haven for anti-socials. According to him the Dutch were ‘vandals, plunderers and destructors’ who did nothing for the cultural progress of the natives. They did not construct anything new in Fort Cochin, as most of the buildings were empty when they came as the people had left the town in fear. Their only interest was to amass wealth, which they did ruthlessly. So, Bernard writes, the sole remembrance is gate and the cemetery where the leaders lay buried. And ‘a mausoleum is unwarranted’.

“Bernard is right and wrong,” feels Sohan. “Right because all that the Dutch did was to pull down structures, churches, monasteries and converted them into warehouses. They brought down Fort Manuel and built a small fort in its place. The cemetery was inside the fort, close to the Holland Bastion, one of the eight bastions in the fort. And till recently when the boat landing place was close to the cemetery it reeked of rotten fish, it was dirty and refuge for anti-socials.”

However, Sohan considers it as an important monument that needs to be preserved. “One of the lasting contributions of the Dutch was the Hortus Malabaricus. I find a link between the need for the publication of this work and the cemetery. A large number of Dutch people lost their lives to tropical diseases and were buried in this cemetery. Looking around they found that it was only their people who fell prey to these diseases, while the natives survived. That’s what prompted the Dutch to call Itti Achuthan, a well-known Ayurveda physician who authenticated the contents of this classic work prepared with the assistance of European and native scholars.”

The few visible tombs show that the layers of plaster on the laterite stones of the tombs have withered off. The church authorities are finding it tough getting it rid of weeds and keeping the place clean.

“There should be a concerted effort to maintain this heritage. The place needs a facelift. The walls of the fort, which is now buried, needs to be dug out and re-built. After all Fort Kochi gets its name from this fort. The tombs must be plastered, a pathway, proper landscaping can all be done to turn this into a tourist attraction. The inscriptions and other information on the tombstones can reveal a lot more on the history of the Dutch in Fort Kochi,” feels Sohan.

source: http://www.thehindu.com / The Hindu / Home> Features> Metroplus / K. Pradeep / Kochi – August 05th, 2016

Doors open to tales of a century

KavalaparambilKERALA12aug2016

There is a room in the 120-year-old Kavalaparambil family home at Konthuruthy, Thevara, whose walls have heard the first cries of seven newborns. The non-descript little room bears the enormity of the seminal births in the quiet elegance of a polished four poster bed, a chest of drawers and a cupboard that came as dowry. It is positioned at the centre of the house and is the coolest room.

Of the 10 family children who grew up in the large and spacious house, it has come to be in the hands of the youngest, Sash George, Applications Development Manager, Microsoft in Dallas, Texas.

In its romantic vicissitudes the house saw many changes, faced many hard and happy times and has opened as a service villa replete with tales of a century.

Sitting over old style tea service in a western style open kitchen, a later day addition, savouring traditional vattappams and kozhukattas hark back to a time when this would have been the scene, decades ago, with children hovering over tea and hot snacks. Sash and his brother recount the frisson in the kalavara, the storeroom that was added on by their father. “It held a wooden trunk to store rice. My mother would have the snacks placed there and as children we would run to open the box,” says Sash. Today, the storeroom remains much the same but the kitchen has changed into an open one looking on to a wide corridor that loops the house.

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The area, before the family houses, three of them, came up, had several ponds, water bodies and was swampy. Mango trees grew in large numbers. There was a pond for bathing, one for drinking and one for fermenting coconut leaves. The house was built by Sash’s grandfather, Kochu Varkey, a man with a taste for fine living, as is seen by the art pieces he made on the walls. The house bears evidences of his artistry and of his faith.

Before the road came up to the house in 1976 and changed the entrance to the house, the main thoroughfare was the water body. Boats brought people up to the edge of the land on which stood the house. “When my grandmother’s arrival was announced a chair used to be put on the skiff and was sent to bring her,” says Sash who is in the process of collating photographs and incidents of yore “for the sake of the future”. If one ventured to arrive at the house on land it was through 16 or 17 turns, says Sebastian, Sash’s older brother, a former Sr. Manager with LIC and one who takes care of the house after it opened itself to hospitality.

Much of the grandeur of the house comes from its simple architecture, a fusion of European and traditional style. It was one of the few two-storied houses in Ernakulam in its time. Two rooms atop two rooms encircled by breeze ways or wide corridors remains its main form. Rooms were added, but not ad-hoc, to the house, as realities changed. The area around was paved. Earlier, the house had no attached bathrooms and these were added as European habits replaced traditional lifestyle. A shed with cows was a sign of wealth and it existed for a long time. The area was quiet and wooded. Sounds and sightings of birds and tree animals were common. As the family grew and moved away the house was closed down for nearly eight to 10 years, until Sash, nostalgic and faraway in America, decided to bring alive his heritage.

“The family elders used to talk so often about a flood that saw the verandas of the house accommodate the affected people. It was called the flood of 99, in the Malayalam year. There are lots of memories around this house,” he says.

Today, memories arise from the preserved utensils and objects, from the shiny brown baby cot, the inscribed wooden bowl, old doors, measuring bowls, trunk, vase, jars and such. A photograph of Kochu Varkey hangs with pride. The delicately restored house has now all modern facilities in the new wing with two rooms and attached baths.

In its new mode, Kavalaparambil, now Lake County Heritage Home, offers guests the best of both worlds, the delicately preserved past and the swiftly changing present.

source: http://www.thehindu.com / The Hindu / Home> Features> Metroplus> Society / Priyadershini S / Kochi – July 29th, 2016