Category Archives: Arts,Culture & Entertainment

A record most melodious for this singing legend

Yesudas is getting national acclaim after 24 years, at the age of 78

In the list of the national film awards, announced in New Delhi on Friday, there were quite a few familiar names.

Like K.J. Yesudas.

It was after a long gap of 24 years that he was returning to the winners list, at the age of 78. And it was a record eighth national award for the best playback singer for him.

The latest one was for his song Poyimaranja kaalam… (Viswasapoorvam Mansoor). It was composed by Ramesh Narayan.

“I am delighted that I tuned the song that fetched Yesudas a national award after a gap of so many years,” Ramesh told The Hindu.

“He had sounded very happy when he spoke to me after the awards were announced on Friday; and it proved a day of double delight for me, as I had won the national award for music in the non-feature section.”

Ramesh was only a student of music when Yesudas won his first national award, way back in 1973. That was for the song Manushyan mathangale srishtichu... (Achanum Bappayum).

It was composed by G. Devarajan and the lyrics were by Vayalar Ramavarma.

The lines of that timeless song – about the meaninglessness of religious strife – would sound truer than ever in the present time.

His second national award came the following year, for the film Gayathri(Padmatheerthame unaroo…).

That classic song was also created by the Vayalar-Devarajan combine.

Yesudas’s third award, which he won four years later, though was for a Hindi song written and composed by Ravindra Jain. Gori tera gaon bada… (Chitchor) was a phenomenal hit and made him popular beyond the southern States.

His fourth award, which he won in 1982, too was in another language – Telugu.

The film was Meghasandesam and the composer Ramesh Naidu.

All his other national awards have been for the songs he sung in Malayalam – Unnikale Oru Katha Parayam (1988), Bharatham (1992) and Sopanam (1994).

Ramesh said when he came up with the tune for Poyimaranja…, he was convinced that only Yesudas could sing it.

“Nobody else could have done justice to it,” he said.

“He has sung about 15 songs for me. And it is the song Oru narupushpamaayi… (Meghamalhar) that established me as a composer.”

source: http://www.thehindu.com / The Hindu / Home> News> States> Kerala / by P.K. Ajith Kumar / Kozhikode – April 14th, 2018

Rich haul for Malayalam cinema

Bags 15 honours at the 65th National Film Awards

Malayalam cinema had one of its richest hauls ever at the 65th National Film Awards, sweeping 15 awards, including major awards for direction and acting. The awards, which do not include the big names of the industry, are a recognition for the new crop who have defined a fresh aesthetic over the past few years.

Jury Chairman Shekhar Kapur acknowledged the big strides that regional cinema, especially Malayalam cinema, has made in recent times when he said, “Bollywood films cannot compete with these regional films, not at the state in which they are”. Although he made a few light-hearted complaints about the unpronouncable titles like Thondimuthalum Driksakshiyum, which the jury members used to call ‘Chain Snatcher’, that did not spoil the chances of the films.

That film, directed by Dileesh Pothen, one of the high points of Malayalam cinema in recent times, fetched the best original screenplay award for Sajeev Pazhoor and the best supporting actor award for Fahadh Faasil. Mr. Kapur praised the film as an ‘unusual’ one with a brilliant screenplay.

After a disappointing decade at the beginning of the millennium, the industry here slowly began to veer away from the tried and tested route of formulaic masala films and super hero-centric subjects, with a set of films that came to be termed ‘new generation’. But many of these films were criticised for being shallow in their outlook, and for being metro, upper class-centric.

But the movement matured over the past four years, pushing the boundaries in all aspects, with realistic portrayals of the struggles of normal people. The National Award this year for production design, which Santosh Raman won for Takeoff is a sign of the strides even in the technical arena that the industry had taken. He had convincingly recreated war-ravaged Iraq in that film, which also fetched Parvathy a special mention in acting.

Indrans, once typecast as a comedian, started getting roles that challenged the actor in him, with the wave of change sweeping the industry. The jury on Friday took his name, saying that he lost out the best actor award by a whisker for Aalorukkam. The film, directed by debutant V.C. Abhilash, won the award for best film on social issues.

Director Jayaraj, who has moved effortlessly for years between mainstream and parallel cinema, won the best director award for Bhayanakam, part of his Navarasa series. The film, on the men from Kuttanad who went to fight in the Second World War, won the best cinematography award for Nikhil.S. Praveen. K.J. Yesudas won the best playback singer (male) award for his song from Vishwasapoorvam Mansoor.

Malayalam also had reasons to cheer for in the non-film category, with Aneez K. Mappila winning the award for the best documentary for The Slave Genesis, and Shiny Jacob Benjamin winning for best biographical reconstruction for Sword of Liberty. Nithin. R won award for best anthropological film for Name, Place, Animal, Thing.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Thiruvananthapuram / Staff Reporter / April 14th, 2018

Canonisation process of Mary Celine begins

The canonisation process of Mother Mary Celine, former Superior General of the Congregation of the Mother of Carmel headquartered at Thaikkattukara, has been initiated.

She experienced the depth and holiness of God experience, said Cardinal George Alencherry, Major Archbishop of the Syro-Malabar Church here at the ceremonies organised to declare Mother Mary Celine Servant of God.

Members of the tribunal, which will work on the process of declaring her a saint, took their oaths at the ceremony here on Monday.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Kochi / by Special Correspondent / April 10th, 2018

Happy chimes for bell metal craft

A bell metal artisan at work at Kunhimangalam, near Payyannur, in Kannur.

Artisans of Kunhimangalam form a cluster, ready major plans with govt. support

The neighbourhood of Kunhimangalam, near Payyannur here, harbours nearly a hundred families of bell metal artisans. But today, only 15 artisans are involved in the craft.

The craftsmen, belonging to the Moosari community, have now come together for an initiative, supported by the State and Union governments, to introduce the craft to the next generation, thereby keeping it alive.

If their plans materialise, the Moosari Kovval neighbourhood at Kunhimangalam will be a bell metal heritage village, which will showcase their craftsmanship and attract tourists, thereby expanding the market for their products.

They have formed a cluster, Kunhimangalam Bell Metal Heritage Private Ltd. (KBMHPL), with a grant of ₹1.40 crore, 70% of which has been sanctioned by the Union government and the rest by the State government.

Design workshop

The cluster, inaugurated by Industries Minister A.C. Moideen on April 8, will set up a common facility centre (CFC) with machinery and workplace for artisans.

“The cluster will soon organise a design workshop which will be attended by experts from the National Institute of Design. Experienced artisans and newcomers will be introduced to the new trends in design,” KBMHPL Managing Director P. Valsan told The Hindu.

As many traditional products made of bell metal such as kindi (water container with a nozzle), uruli (shallow cooking vessel), charcoal iron to press clothes, or spittoons are no longer in use, many artisans of Kunhimangalam chose other vocations.

‘Youth not interested’

“Youngsters are not drawn to this craft because there is no demand for the products,” said Ramachandran Kunhimangalam, chairman of the Kunhimangalam Bell Metal Heritage Protection, Study and Research Centre, a trust formed a few years ago to revive the tradition.

A heritage museum to showcase the craftsmanship is also in the pipeline. The project is being supported by the Commissioner of Development Handicrafts under the Union government and Handicrafts Development Corporation of the State government. The latter will give a tool kit valued at ₹10,000 to each bell metal artisan in the village.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Thiruvananthapuram / by Mohamed Nazeer / Kannur – April 10th, 2018

Now, ‘Hamari Malayalam’ comes out in a new avatar

Launch of ‘Hamari Malayalam’ digital text book by Kerala Literacy Mision / Minister C Raveendranath releases digital version of the book

Thiruvananthapuram:

Kerala State Literacy Mission Authority has launched the digital version of ‘Hamari Malayalam’, the text book to teach Malayalam to migrant labourers.
The digital book was released by education minister C Raveendranath who handed over the CD to literacy mission director P S Sreekala at a function held here on Wednesday.

The digital book to be used at ‘Changathi’ (the particular project under the literacy mission) study centres and at junctions where migrant workers usually gather, by making maximum use of available electronic systems, will further popularize the project, said an official release from the Mission.

The digital book was prepared by animation and graphic design students of Aluva Marampally MES College, who were also the instructors of the model ‘Changathi’ project launched at Perumbavoor earlier, with the support of their teachers. The digital book comprises 10 lessons through which Malayalam is taught with the help of Malayalam and Hindi alphabets and words besides pictures.

The lessons are prepared based on the situations migrant workers might confront at their workplace and residential places. “Instead of going directly into alphabets and words, the students are made to learn Malayalam easily through life situations. The lessons are based on various sectors they interact continuously including food, health, travel and equipment,” the release said.

As many as 5,268 migrant workers in the state are now learning Malayalam under the project, which had begun at Perumabavoor with 432 students.

source: http://www.timesofindia.indiatimes.com / The Times of India / News> City News> Thiruvananthapuram News / TNN / April 12th,2018

Century old ‘Anjal’ office at Devikulam falling apart

The ‘Anjal’ office at Devikulam was once a beehive of activity.

The over-a-century-old building is one with historical importance

The over-a-century-old building that housed the ‘Anjal’ office (post office) at Devikulam is in a dilapidated condition. There is a thick overgrowth of grass on the roof and a portion of the wall has collapsed. Close to it is a sathram (lodge), which too is in the same condition.

The buildings were once a beehive of activity as the Anjal office provided the main means of communication to the world outside. The sathram was the halting station for people moving to the present Tamil Nadu.

Though it is believed that the Anjal office started functioning in the 18th century under the Moovattupuzha postal system as a third-grade post office, there are no documents to prove the claim. Some of the documents connected to the later periods of history had been taken to the higher postal department office, according to the local people. However, they are not sure whether the files and documents have been preserved.

The buildings are historically important as Devikulam was the headquarters of administration during the British rule and the erstwhile Travancore Kingdom.

Under the Devikulam Anjal office, sub-offices also functioned at Munnar, Marayur, Santhanpara , Udumbanchola and Pallivasal. The old generation in Devikulam still has vivid memories of the ‘Anjalottakaran’ moving with a bell in hand with postal items to Munnar and from Marayur to Devikulam.

The sathram provided a safe halting station to those travelling to Tamil Nadu from different parts of the High Ranges on business purposes.

Staying facility

This was also used as a staying facility for the cavalcade accompanying the Travancore King while on summer tour to Devikulam.

Though the buildings are important milestones in the development of present-day Munnar, they remain in a state of ruin. Soon the buildings would move into history unless measures are taken to restore and protect them.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Thiruvananthapuram / Giji K. Raman / Idukki – April 10th, 2018

Sopana Sangeetham exponent Padmanabaha Marar passes away at 113

Kottayam :

Renowned exponent of Sopana Sangeetham  Padmanabha Marar, 113, passed away at Ramapuram  in Kottayam district on Wednesday.

Marar used to play Edakka and sing at the Sreerama Swamy temple in Ramapuram near Pala for over 100 years. For last few years he was leading a retired life at his residence in Ramapuram. Funeral will be held at his residential premises at 3pm on Thursday.

Marar began singing at the temple at the age of eight. He first came to the temple in the year 1905 and continued to sing and play edakka till the age of 110. The state Sangeetha Nataka Akademi had honoured him with Gurupooja for his contribution and expertise in the music form. He was a regular at various temples in the district with his music.

His father was his first guru in sopana sangeetham. Later he went to Puthussery Narayana Marar and Thirumaradi Sankara Kurup for further studies.

For several decades he used to wake up at the brahma muhurtham and his day would begin with a dip in the temple pond. By 3.30 am, he would whistle the conch and later played edakka for the various poojas during the day. For the past few years, his sons have been helping him by taking turns.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> News> City News> Kozhikode News / Jaikrishnan Nair / TNN / April 04th, 2018

Freedom fighter Madhavankutty dies

Kozhikode :

Dr K Madhavankutty, freedom fighter and director of Bharathiya Vichara Kendram, died here on Friday. He was 93.

Madhavankutty was taken into custody for participating in the Quit India movement while he was studying for the intermediate. But he was released as he was a minor.

After completing medical education from the Stanley Medical College in Chennai, he joined as tutor in the same college. He was appointed as professor when the Kozhikode Medical College was established in 1957. Later he became the principal of Kozhikode, Thrissur and Thiruvananthapuram medical colleges. He was also the chairman of Bharathiya Vidya Bhavan, Kozhikode.

He contested the Lok Sabha elections in 1984 from Kozhikode with BJP support. Again, he fought the assembly elections in 1991 from Beypore as an independent supported by both BJP and UDF. The strange political alliance is a point of debate in political circles even now. Madhavankutty had authored many books, including the autobiography ‘Mayillee Kanakaksharangal’.

He is survived by son C Jayaram and Dr C Jayasree. Cremation will be held at Puthiyapalam at 10am on Saturday. tnn

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> News> City News> Kozhikode News / TNN / March 30th, 2018

Foot-washing ceremony: Women can no longer be excluded from the holy ritual

If I, your Lord and teacher, have washed your feet, you also ought to do it to one another. For I have given you an example…’
Thus spake Jesus Christ. The rite of foot washing observed on Maundy Thursday, which is inspired by this Bibilical verse, is symbolic of Jesus washing the feet of his 12 disciples prior to the Last Supper. It brings to mind a predictable image — a line of men whose feet get washed and kissed by a priest in church. Thanks to Pope Francis, for the past two years, the image is getting an inclusive, modern twist with women also in the frame. In Kerala, many churches followed suit, though discordant voices were also heard. This year too, the Latin Church included women in the rite at a much larger scale across the State. On Good Friday, we take a close look at the history of the tradition in Kerala, how it changed over time and its contemporary significance.

An ancient custom
It was a Goan priest who introduced it to Kerala, says historian Fr Dr Xavier Koodopuzha. “Before the historical Synod of Diamper (Udayamperoor Sunnahados) in 1599, the Archbishop of Goa, Aleixo de Menezes, did the foot washing ceremony to showcase humility. Inspired by him, the Syrian Christians of Kerala started to organise the ceremony. For 297 years in which the Portuguese ruled the Marthoma Christians, it went on and continued even after indigenous metropolitans took over. That’s how we still have this tradition in Kerala churches,” he says.

While the credit for including women in the rite goes to Pope Francis after he did it in 2016, very few seem to remember that a priest in Kerala had done it, exactly three decades ago. Dr Babu Paul IAS, who has written about it in one of his books, says, “Fr Culas, who has served as the vicar of a diocese under the Latin archdiocese of Thiruvananthapuram, washed the feet of women first in 1988, and did it for three years consecutively, to promote gender justice. In the third year, about 15 people, out of the 400 parishioners, complained to Archbishop Soosa Pakiam against him. The Archbishop told the priest that being a Bible scholar, he did not find anything wrong with the practice, but he wanted to leave it to Fr Culas’ conscience as to whether a possible division in church should be entertained.” Fr Culas was also transferred to a different diocese in the following year. He did not continue it in the new church fearing opposition.

Not all sects welcome it

While the Latin Church embraced the Pope’s model, the Syro Malabar church, like many other factions, did not follow suit. However, inspired by the Pope and the Bible, Fr Jose Vailikodath, a Syro Malabar priest of Thrikkakara parish, washed women’s feet in 2016. But he did not follow it up later. “There was tremendous official pressure and a circular urged us not to do it. Personally, I don’t believe in discriminating against women. I followed what St Paul said in Galatians 3.28 of the Bible, about equality. I am sure the Pope also might have been inspired by the Bible to include women in this rite,” says Fr Jose.

Each of the churches follow a different tradition and that’s also why women are kept away from it in certain churches, says Dr Xavier. “There are 23 church communities under the Catholic church. Though the faith is basically the same, there are tremendous differences in customs, from prayers to costumes and they are also given the freedom to follow their own traditions,” he explains.

The concept is catching on

Of late, groups like Indian Christian Women’s Movement (ICWM) have been organising the ritual in Kerala involving women, to bring gender justice. Kochurani Abraham of the group says, “While our aim is not to work against the church, we believe in gender equality and want to bring it into as many spheres, including this rite. In the foot washing ceremony we organised this year, we had couples who washed each other’s feet, to establish this.”

Many youngsters believe that there is no logic in keeping women out of such a rite. Kesia M, a Plus Two student in Kottayam who took part in the rite last year, says, “Jesus asked to treat everyone equally through this rite, regardless of wealth or social status. Why find a way to discriminate in the name of gender?”

The practice has tremendous contemporary significance too, according to Fr Eugiene Periera from Thiruvananthapuram. “It’s a means to recognise the service women also have been offering to the church for years together. Moreover, it’s time we spread the message of equality as well. When the church took the initiative first, there were a few voices of opposition but gradually, people began understanding it and it’s all taken positively now.”

source: http://www.timesofindia.indiatimes.com / The Times of India / News> City News> Kochi News / by Deepa Soman / TNN / March 30th, 2018

Pinarayi opens Thiruvananthapuram’s first mall

A view of the interiors of the Mall of Travancore in Thiruvananthapuram on Friday. PHOTO: S. Gopakumar

‘Mall of Travancore’ is the capital’s first state-of-the-art shopping mall that has come up near Chakka on the NH 66 bypass.

Chief Minister Pinarayi Vijayan on Friday opened Malabar Group’s ‘Mall of Travancore,’ the capital’s first state-of-the-art shopping mall that has come up near Chakka on the National Highway 66 bypass.

Spread over 6.5 lakh sq ft in three floors, the mall with over 150 stores of 300 brands has been set up at ₹400 crore on seven acres near the international terminal of Thiruvananthapuram airport. Seven multiplex theatres, Playaza — a 15,000 sq ft play area with 11 indoor rides, 9D theatre, 60 video kiosks — a hyper market, jewellery showrooms, electronics and home appliances showroom, showrooms of lifestyle products, and a food court with 22 multi-cuisine restaurants are the attractions.

Houses for homeless

Speaker P. Sreeramakrishnan presided over the function. At the function, the Chief Minister also inaugurated the CSR Project of the Malabar Group, under which houses will be built for homeless people. MD (International Operations) Shamlal Ahammed and India operations MD O. Asher jointly handed over the funds to Mr. Vijayan for this purpose.

Showrooms of the different brands inside the mall were launched by Mr. Sreeramakrishnan, Ministers . E. Chandrasekharan, T.P. Ramakrishnan, K.T. Jaleel, A.K. Saseendran, K. Raju, P. K. Kunhalikutty, MP, and V.S. Sivakumar, MLA.

Mayor V.K. Prasanth handed over the Green Mall interim certificate to the management. Group Chairman M.P. Ahammed inaugurated the Carnival Group’s multiplex theatre.

Legislators O. Rajagopal, K. Muralidharan, K.C. Mammad Koya, A. Pradeepkumar, A.N. Shamseer, P. T.A. Rahim, P.K. Abdu Rabb, KPCC president M.M. Hassan and BJP State president Kummanam Rajasekharan were present.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Thiruvananthapuram / by Special Correspondent / Thiruvananthapuram – March 23rd, 2018